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Folies-Bergère / La Loïe Fuller
Jules Chéret (French, 1836–1932)
Title
Folies-Bergère / La Loïe Fuller
Artist
Jules Chéret (French, 1836–1932)
Date
1893
Medium
lithograph
Dimensions
interior frame window: 47 3/8 × 33 1/4 in. (120.3 × 84.5 cm)
Classification
Prints
Credit Line
Gift of the Estate of Lenore Polack
Object Number
2022.17.3
On View
Not on view
Provenance
Joseph Polack (1929–2001), Omaha, Nebraska, by July 1, 1986–2001;
Inherited by his wife, Lenore Polack (1930–2022), Omaha, Nebraska, 2001–2022;
Gift of the Estate of Lenore Polack to Joslyn Art Museum, Omaha, Nebraska, 2022.
Inherited by his wife, Lenore Polack (1930–2022), Omaha, Nebraska, 2001–2022;
Gift of the Estate of Lenore Polack to Joslyn Art Museum, Omaha, Nebraska, 2022.
Exhibition History
Café Society: Art and Sociability in Belle Époque Paris, Ordrupgaard, Charlottenlund, Denmark, February 6–May 31, 2026; Café Society: Art and Sociability in Paris, 1855–1914, Dixon Gallery and Gardens, Memphis, TN, June 18–September 6, 2026; Café Society: Art and Sociability in Paris, 1850–1914, Joslyn Art Museum, Omaha, September 26, 2026–January 17, 2027, no. 37.
Published References
Exposition d’Affiches Artistiques Françaises et Étrangères, modernes et rétrospectives, exh. cat. (Reims, 1896), no. 411.
Ernest Maindron, Les Affiches Illustrées, 1886–1895 (Paris: G. Boudet, 1896), no. 113.
Roger Marx, Les Maîtres de l’Affiche, vol. 2 (Paris: Chaix, 1896), pl. 73 (var.).
Ruth Malhorta, Marjan Rinkleff, and Bernard Schalicke, eds., Das Fruhe Plakat in Europa und den USA, vol. 2, French and Belgian Posters (Berlin: Mann Verlag, 1977), 233.
Lucy Broido, The Posters of Jules Chéret, 2nd ed. (New York: Dover, 1992), no. 125.
Réjane Bargiel and Ségolène Le Men, La Belle Époque de Jules Chéret: de l’affiche au décor (Paris: Les Arts décoratifs and Bibliothèque nationale de France, 2010), 155.
Julie Pierotti, ed., Café Society: Art and Sociability in Belle Époque Paris, exh. cat. (Memphis, TN and Lewes, England: Dixon Gallery and Gardens and D Giles, 2026), 53, 69, 156, 167, 168, 181, no. 37, (repro.).
Ernest Maindron, Les Affiches Illustrées, 1886–1895 (Paris: G. Boudet, 1896), no. 113.
Roger Marx, Les Maîtres de l’Affiche, vol. 2 (Paris: Chaix, 1896), pl. 73 (var.).
Ruth Malhorta, Marjan Rinkleff, and Bernard Schalicke, eds., Das Fruhe Plakat in Europa und den USA, vol. 2, French and Belgian Posters (Berlin: Mann Verlag, 1977), 233.
Lucy Broido, The Posters of Jules Chéret, 2nd ed. (New York: Dover, 1992), no. 125.
Réjane Bargiel and Ségolène Le Men, La Belle Époque de Jules Chéret: de l’affiche au décor (Paris: Les Arts décoratifs and Bibliothèque nationale de France, 2010), 155.
Julie Pierotti, ed., Café Society: Art and Sociability in Belle Époque Paris, exh. cat. (Memphis, TN and Lewes, England: Dixon Gallery and Gardens and D Giles, 2026), 53, 69, 156, 167, 168, 181, no. 37, (repro.).
