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Terry Winters (American, b. 1949)

Title

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Artist

Terry Winters (American, b. 1949)

Date

2005

Medium

oil on linen

Dimensions

102 x 132 in. (259.1 × 335.3 cm)

Classification

Painting

Credit Line

The Phillip G. Schrager Collection. Promised gift of Terri L. Schrager

Object Number

L-2021.3.46

On View

On view

Copyright

© Terry Winters, Courtesy Matthew Marks Gallery

Provenance

With Matthew Marks Gallery, New York, by 2006;
Purchased from Matthew Marks Gallery, New York, by Mr. Phillip G. Schrager (1937–2010), Omaha, Nebraska, March 15, 2006–2010;
Inherited by his wife, Mrs. Terri L. Schrager (b. 1953), Omaha, Nebraska, by 2016;
Her promised gift to Joslyn Art Museum, Omaha, Nebraska.

Exhibition History

Remote Viewing: Invented Worlds in Recent Painting and Drawing, Whitney Museum of American Art, New York, June 2–October 9, 2005. Traveled to: Saint Louis Art Museum, June 6–August 6, 2006.

Terry Winters Signal to Noise, Irish Museum of Modern Art, Dublin, June 12– September 27, 2009.

Published References

David Cohen, “An Exploding Universe,” New York Sun, June 2, 2005, http://artcritical.com/DavidCohen/SUN104.htm.

Arcy Douglass, “Printmaking, Pollock and Poetics: A Conversation with Tery Winters,” Portland Art, April 11, 2007, http://www.portlandart.net/archives/2007/04/printmaking_pol.html, (repro.).

Grace Glueck, “Tapping Into a Glut of Information and Making Sense (and Art) of It All,” The New York Times, June 3, 2005, E37.

Jeffrey Hughes, “Remote Viewing: Invented Worlds in Recent Painting and Drawing,” Art Papers, November/December 2006, 46–47, (repro.).

Enrique Juncosa, Francine Prose, David Levi Strauss, and Peter Lamborn Wilson, Terry Winters Signal to Noise, exh. cat. (Dublin: Irish Museum of Modern Art, 2009), n.p., (repro.).

Elisabeth Sussman, Caroline A. Jones, and Katy Siegel, Remote Viewing: Invented Worlds in Recent Painting and Drawing, exh. cat. (New York: Whitney Museum of American Art, 2005), 72–73, 74, 79, 113, back cover, (repro.).

Karin Campbell, The Phillip G. Schrager Collection at the Joslyn Art Museum (Omaha: Joslyn Art Museum, 2024), 22, 136–37, 142, (repro.).