Display Linkage
Terry Winters (American, b. 1949)
Title
Display Linkage
Artist
Terry Winters (American, b. 1949)
Date
2005
Medium
oil on linen
Dimensions
102 x 132 in. (259.1 × 335.3 cm)
Classification
Painting
Credit Line
The Phillip G. Schrager Collection. Promised gift of Terri L. Schrager
Object Number
L-2021.3.46
On View
On view
Copyright
© Terry Winters, Courtesy Matthew Marks Gallery
Provenance
Purchased from Matthew Marks Gallery, New York, by Mr. Phillip G. Schrager (1937–2010), Omaha, Nebraska, March 15, 2006–2010;
Inherited by his wife, Mrs. Terri L. Schrager (b. 1953), Omaha, Nebraska, by 2016;
Her promised gift to Joslyn Art Museum, Omaha, Nebraska.
Exhibition History
Remote Viewing: Invented Worlds in Recent Painting and Drawing, Whitney Museum of American Art, New York, June 2–October 9, 2005. Traveled to: Saint Louis Art Museum, June 6–August 6, 2006.
Terry Winters Signal to Noise, Irish Museum of Modern Art, Dublin, June 12– September 27, 2009.
Published References
David Cohen, “An Exploding Universe,” New York Sun, June 2, 2005, http://artcritical.com/DavidCohen/SUN104.htm.
Arcy Douglass, “Printmaking, Pollock and Poetics: A Conversation with Tery Winters,” Portland Art, April 11, 2007, http://www.portlandart.net/archives/2007/04/printmaking_pol.html, (repro.).
Grace Glueck, “Tapping Into a Glut of Information and Making Sense (and Art) of It All,” The New York Times, June 3, 2005, E37.
Jeffrey Hughes, “Remote Viewing: Invented Worlds in Recent Painting and Drawing,” Art Papers, November/December 2006, 46–47, (repro.).
Enrique Juncosa, Francine Prose, David Levi Strauss, and Peter Lamborn Wilson, Terry Winters Signal to Noise, exh. cat. (Dublin: Irish Museum of Modern Art, 2009), n.p., (repro.).
Elisabeth Sussman, Caroline A. Jones, and Katy Siegel, Remote Viewing: Invented Worlds in Recent Painting and Drawing, exh. cat. (New York: Whitney Museum of American Art, 2005), 72–73, 74, 79, 113, back cover, (repro.).
Karin Campbell, The Phillip G. Schrager Collection at the Joslyn Art Museum (Omaha: Joslyn Art Museum, 2024), 22, 136–37, 142, (repro.).