Portrait of Dirck van Os
Rembrandt van Rijn (Dutch, 1606–1669)

Paintings by the Great Dutch Masters of the Seventeenth Century, New York, Duveen Galleries, October 8–November 7, 1942, no. 52.

Paintings by the Great Dutch Masters of the Seventeenth Century, Art Institute of Chicago, November 18–December 16, 1942, no. 32.

Notable Collections at Joslyn, Joslyn Art Museum, Omaha, November 30, 1956–January 1, 1957.

Stories of a Collection, Joslyn Art Museum, Omaha, August 28–October 3, 1999.

Rembrandt Rembrandt, Kyoto National Museum, November 3, 2002–January 13, 2003.

Titian to Monet: European Paintings from Joslyn Art Museum, Taubman Museum of Art, Roanoke, VA, October 14, 2022–January 8, 2023; Rembrandt to Monet: 500 Years of European Painting from Joslyn Art Museum, Philbrook Museum of Art, Tulsa, OK, February 22–May 28, 2023.

Wilhelm von Bode and Cornelis Hofstede de Groot, The Complete Work of Rembrandt, History, Description and Heliographic Reproduction of All the Master’s Pictures, with a Study of His Life and His Art, trans. Florence Simmonds, vol. 7 (Paris: C. Sedelmeyer, 1905), 58, no. 494.

Wilhelm Reinhold Valentiner, Rembrandt: Des Meisters Gemälde (Stuttgart: Deutsch Verlag-anstalt, 1908), 501, 565.
Cornelis Hofstede de Groot, Beschreibendes und kritisches Verzeichnis der Werke der hervorragendsten holländischen Maler des XVII. Jahrhunderts, vol. 6 (Esslingen: Neff, 1915), 281, no. 664.
Cornelis Hofstede de Groot, A Catalogue Raisonné of the Works of the Most Eminent Dutch Painters of the Seventeenth Century, Based on the Works of John Smith, ed. and trans. Edward G. Hawke, vol. 6 (London: Macmillan, 1916), no. 664.

Wilhelm Reinhold Valentiner, Rembrandt Paintings in America (New York: S. W. Frankel, 1931), no. 161, (repro.).

Abraham Bredius, Rembrandt: Gemälde, 630 Abbidungen (Vienna: Paidon-Verlag, 1935), 13, no. 315, (repro.).

Art News, August–September 1942, 35, (repro.).

Carlyle Burrows, “Art Events of the Week,” New York Herald Tribune, July 12, 1942, (repro.).

George Henry McCall, Paintings by the Great Dutch Masters, exh. cat. (New York: William Bradford Press, 1942), 72, (repro.).

George Henry McCall, Paintings by the Great Dutch Masters of the Seventeenth Century, exh. cat. (Chicago: Art Institute of Chicago, 1942), 52, 100, (repro.).

Jakob Rosenberg, Rembrandt (Cambridge: Harvard University Press, 1948), no. 315.

“Overhaul Job Helps Restore Prized Rembrandt Painting,” Omaha World-Herald, June 26, 1954, (repro.).

Kurt Bauch, Der frühe Rembrandt und seine Zeit: Studien zur geschichtlichen Bedeutung seines Frühstils (Berlin: Mann, 1960), no. 428.

Philip Gurney, “Rembrandt’s Early Fame Deserted in Old Age,” Dundee and West Omaha Sun, October 27, 1960, (repro.).

“Rembrandt at Joslyn Gains in Value by New York Sale,” Omaha World-Herald, November 16, 1961, (repro.).

Kurt Bauch, Rembrandt Gemälde (Berlin: Walter de Gruyter, 1966), no. 428.

Horst Gerson, Rembrandt: Gemälde, Gesamtwerk (Wiesbaden: Emil Vollmer Verlag, 1968), 442, no. 400, as School of Rembrandt.

Horst Gerson, Rembrandt: Paintings, trans. Heinz Norden, (Amsterdam: Reynal & Co., 1968), 442, no. 400, as School of Rembrandt.

“No Doubts at Joslyn: It’s Pure Rembrandt,” Omaha World-Herald, August 1969, (repro.).

Abraham Bredius and Horst Gerson, Rembrandt: The Complete Edition of Paintings (London: Phaidon, 1969), no. 315.

Giovanni Arpino and Paolo Lecaldano, L’opera pittorica complete di Rembrandt (Milan: Rizzoli, 1969), 120, no. 386, as School of Rembrandt.

“The Light of Experience,” Sunday World-Herald Magazine, April 4, 1971, (repro.).

Jaap Bolten and Henriette Bolten-Rempt, Rembrandt (Oxford: Phaidon, 1978), no. 502.

John D. Morse, Old Master Paintings in North America, a Comprehensive Guide to Locating and Enjoying over 300 Masterpieces by 50 Great Artists (New York: Abbeville Press, 1979), 2932.

Gary Schwartz, Rembrandt: Zijn leven, zijn schilderijen (Maarssen, 1984), no. 394.

Christian Tümpel, Rembrandt: Mythos und Methode (Königstein: Langewiesche, 1986), no. A100.

Holliday T. Day and Hollister Sturges, eds., Joslyn Art Museum: Paintings & Sculpture from the European & American Collections (Omaha: Joslyn Art Museum, 1987), 52, 53, 54, (repro.), as School of Rembrandt.

Leonard J. Slatkes, Rembrandt: Catalogo completo dei dipinti (Florence: Cantini, 1992), no. 173.

George S. Keyes et. al., Rembrandt in America: Collecting and Connoisseurship (Cleveland: Cleveland Museum of Art, 2011), 78.

Lisa Duffy-Zeballos and Sharon Flescher, “Three Questioned Rembrandts Re-Enter the Canon: More to Come,” IFAR Journal 15, no. 2 (2014): 32, 34, 37–38, (repro.). 

Casey Logan, “Joslyn Finds Rembrandt in Its Attic,” Omaha World-Herald, April 6, 2014, 1, 4A, (repro.).

Casey Logan, “Rembrandt Painting Makes Its Debut at Joslyn––Again,” Omaha World-Herald, May 4, 2014, 3Y, (repro.).

Jonathan Loepz, “A Rembrandt Becomes a Rembrandt Again,” Wall Street Journal, May 6, 2016

Ernst van de Wetering et. al., A Corpus of Rembrandt Paintings, vol. 6, Rembrandt Paintings Revisited: A Complete Survey (Dordrecht: Springer, 2015), 648–49, no. 263.

“Joslyn Upgrades Rembrandt to More Fitting Frame,” Omaha World-Herald, October 12, 2016, 2E, (repro.).

Alison M. Kettering, “Master of the New Land: Rembrandt’s Portrait of dijkgraaf Dirck van Os,” Oud Holland 130 (2017): 15–36, (repro.).

Volker Manuth, Marieke de Winkel, and Rudie van Leeuwen, Rembrandt: The Complete Paintings (Cologne: Taschen, 2019), 433, 634, no. 199, (repro.).

Taylor J. Acosta, European Paintings and Sculpture from Joslyn Art Museum (Omaha: Joslyn Art Museum, 2020), 22, 27, 92–95, (repro.).