FreeT.K.B.
Brice Marden (American, 1938–2023)
Title
T.K.B.
Artist
Brice Marden (American, 1938–2023)
Date
1966
Medium
oil and wax on canvas
Dimensions
68 × 100 in. (172.7 × 254 cm)
Classification
Painting
Credit Line
The Phillip G. Schrager Collection. Gift of Terri L. Schrager
Object Number
2022.15
On View
On view
Copyright
© Estate of Brice Marden / Artists Rights Society (ARS), New York
With Bykert Gallery, New York, 1966.
Mr. Klaus Kertess (1940–2016), New York, by 1975;
Purchased from him by Mr. Phillip G. Schrager (1937–2010), Omaha, Nebraska, May 1, 1975–2010;
Inherited by his wife, Mrs. Terri L. Schrager (b. 1953), Omaha, Nebraska, by 2016;
Her gift to Joslyn Art Museum, 2022.
A Romantic Minimalism, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, September 13–October 11, 1967.
A Minimal Future?: Art as Object, 1958-1968, Museum of Contemporary Art, Los Angeles, March 14–August 2, 2004.
Rosalind Constable, “The Gallery of the Year,” New York, May 20, 1968, 42, (repro.).
Cheryl Cook, “Schrager’s Office Reflects His ‘Passion’ for Art,” Midlands Business Journal, April 1–7, 1988, 16.
Klaus Kertess, Brice Marden Paintings and Drawings (New York: Harry N. Abrams, Inc., Publishers, 1992), 16–17, 58, (repro.).
Kyle MacMillan, “The Art of Collecting,” Omaha World-Herald, November 26, 1998, 1A.
Ann Goldstein, A Minimal Future?: Art as Object, 1958–1968, exh. cat. (Los Angeles: Museum of Contemporary Art, 2004), 280, 281, (repro.).
Anne Prenzler, “What Is It? Why Have You Done It?,” in Gary Hume: Carnival, exh. cat. (Hanover: Kestner Gesellschat, 2004), 69, (repro.).
Mark Godfrey, “Dimensions Variable,” Frieze, June-August 2004, 120, (repro.).
Pepe Karmel, “The Year of Living Minimally,” Art in America, December 2004, 98, (repro.).
Corey Ross, “Schrager’s Masterpiece,” One Magazine, October 2013, 20–21, (repro.).
Karin Campbell, The Phillip G. Schrager Collection at the Joslyn Art Museum (Omaha: Joslyn Art Museum, 2024), 20, 28–29, 31, 78–79, 141, (repro.).