FreeHaymakers, Evening, Éragny
Camille Pissarro (French, 1830–1903)
Title
Haymakers, Evening, Éragny
Artist
Camille Pissarro (French, 1830–1903)
Date
1893
Medium
oil on canvas
Dimensions
21 3/8 × 25 3/4 in. (54.3 × 65.4 cm)
Classification
Painting
Credit Line
Museum purchase
Object Number
1946.28
On View
On view
Purchased from the artist by Galerie Durand-Ruel, Paris, February 21, 1894;
Purchased from Durand-Ruel Galleries, New York, by Martin A. Ryerson, Chicago, September 11, 1894–April 24, 1912;
Purchased from Martin A. Ryerson by Durand-Ruel Galleries, April 24, 1912–March 28, 1946;
Purchased from Durand-Ruel Galleries, through Harold Woodbury Parsons, by Joslyn Art Museum, Omaha, Nebraska, 1946.
Purchased from Durand-Ruel Galleries, New York, by Martin A. Ryerson, Chicago, September 11, 1894–April 24, 1912;
Purchased from Martin A. Ryerson by Durand-Ruel Galleries, April 24, 1912–March 28, 1946;
Purchased from Durand-Ruel Galleries, through Harold Woodbury Parsons, by Joslyn Art Museum, Omaha, Nebraska, 1946.
Camille Pissarro––Tableaux, aquarelles, pastels, gouaches, Galerie Durand-Ruel, Paris, March 3–21, 1894, no. 18.
Brooks Reed Gallery, Boston, October–November, 1924, lent by Durand-Ruel Galleries.
Paintings by Camille Pissarro and Alfred Sisley, Durand-Ruel Galleries, New York, from February 18, 1925, no. 1.
Paintings by Pissarro and Sisley, Durand-Ruel Galleries, New York, December 7–22, 1928, no. 1.
XIXth Century French Painting, City Art Museum, St. Louis, January 1931, no. 23.
Annual Spring Exhibition: A Group of Paintings by Auguste Renoir and Other French Masters, Chester H. Johnson Galleries, Chicago, from May 25, 1931, no. 8.
Paintings by Camille Pissarro in Retrospect, Durand-Ruel Galleries, New York, January 3–24, 1933, no. 16.
Paintings by the Master Impressionists, Durand-Ruel Galleries, New York, October 15–November 10, 1934, no. 17.
Three Centuries of French Paintings, Wichita Art Museum, KS, May 9–23, 1954, no. 15.
Communicating Art from Midwestern Collections: American and European Paintings and Sculpture, Des Moines Art Center, October 13–November 6, 1955, no. 51.
Notable Collections at Joslyn, Joslyn Art Museum, Omaha, November 30, 1956–January 1, 1957.
French and American Impressionism, Philbrook Art Center, Tulsa, OK, October 2–November 26, 1967, no. 13.
Mary Cassatt Among the Impressionists, Joslyn Art Museum, Omaha, April 10–June 1, 1969, no. 40.
Homage to Camille Pissarro: The Last Years, 1890–1903, Dixon Gallery and Gardens, Memphis, TN, May 18–June 22, 1980, no. 4.
Jules Breton and the French Rural Tradition, Joslyn Art Museum, Omaha, November 6, 1982–January 2, 1983; Dixon Gallery and Gardens, Memphis, TN, January 16–March 6, 1983; Sterling and Francine Clark Art Institute, Williamstown, MA, April 2–June 5, 1983, no. 97.
Retrospective Camille Pissarro, Isetan Museum of Art, Tokyo, March 9–April 9, 1984; Fukuoka Art Museum, Japan, April 25–May 20, 1984; Kyoto Municipal Museum of Art, Japan, May 26–July 1, 1984, no. 46.
Pissarro’s People, Sterling and Francine Clark Art Institute, Williamstown, MA, June 12–October 2, 2011; Legion of Honor, San Francisco, October 22, 2011–January 22, 2012, no. 228.
Pissarro à Éragny: La nature retrouvée, Musée du Luxembourg, Paris, March 16–July 9, 2017, no. 25.
Titian to Monet: European Paintings from Joslyn Art Museum, Taubman Museum of Art, Roanoke, VA, October 14, 2022–January 8, 2023; Rembrandt to Monet: 500 Years of European Painting from Joslyn Art Museum, Philbrook Museum of Art, Tulsa, OK, February 22–May 28, 2023.
Brooks Reed Gallery, Boston, October–November, 1924, lent by Durand-Ruel Galleries.
Paintings by Camille Pissarro and Alfred Sisley, Durand-Ruel Galleries, New York, from February 18, 1925, no. 1.
Paintings by Pissarro and Sisley, Durand-Ruel Galleries, New York, December 7–22, 1928, no. 1.
XIXth Century French Painting, City Art Museum, St. Louis, January 1931, no. 23.
Annual Spring Exhibition: A Group of Paintings by Auguste Renoir and Other French Masters, Chester H. Johnson Galleries, Chicago, from May 25, 1931, no. 8.
Paintings by Camille Pissarro in Retrospect, Durand-Ruel Galleries, New York, January 3–24, 1933, no. 16.
Paintings by the Master Impressionists, Durand-Ruel Galleries, New York, October 15–November 10, 1934, no. 17.
Three Centuries of French Paintings, Wichita Art Museum, KS, May 9–23, 1954, no. 15.
Communicating Art from Midwestern Collections: American and European Paintings and Sculpture, Des Moines Art Center, October 13–November 6, 1955, no. 51.
Notable Collections at Joslyn, Joslyn Art Museum, Omaha, November 30, 1956–January 1, 1957.
French and American Impressionism, Philbrook Art Center, Tulsa, OK, October 2–November 26, 1967, no. 13.
Mary Cassatt Among the Impressionists, Joslyn Art Museum, Omaha, April 10–June 1, 1969, no. 40.
Homage to Camille Pissarro: The Last Years, 1890–1903, Dixon Gallery and Gardens, Memphis, TN, May 18–June 22, 1980, no. 4.
Jules Breton and the French Rural Tradition, Joslyn Art Museum, Omaha, November 6, 1982–January 2, 1983; Dixon Gallery and Gardens, Memphis, TN, January 16–March 6, 1983; Sterling and Francine Clark Art Institute, Williamstown, MA, April 2–June 5, 1983, no. 97.
Retrospective Camille Pissarro, Isetan Museum of Art, Tokyo, March 9–April 9, 1984; Fukuoka Art Museum, Japan, April 25–May 20, 1984; Kyoto Municipal Museum of Art, Japan, May 26–July 1, 1984, no. 46.
Pissarro’s People, Sterling and Francine Clark Art Institute, Williamstown, MA, June 12–October 2, 2011; Legion of Honor, San Francisco, October 22, 2011–January 22, 2012, no. 228.
Pissarro à Éragny: La nature retrouvée, Musée du Luxembourg, Paris, March 16–July 9, 2017, no. 25.
Titian to Monet: European Paintings from Joslyn Art Museum, Taubman Museum of Art, Roanoke, VA, October 14, 2022–January 8, 2023; Rembrandt to Monet: 500 Years of European Painting from Joslyn Art Museum, Philbrook Museum of Art, Tulsa, OK, February 22–May 28, 2023.
Louis Cardon, L’Événement, March 6, 1894, 2.
L’Art français, March 10, 1894, 2.
Camille Pissarro––Tableaux, aquarelles, pastels, gouaches, exh. cat. (Paris: Durand-Ruel, 1894), no. 18.
Paintings by Camille Pissarro and Alfred Sisley, exh. cat. (New York: Durand-Ruel, 1925), no. 1.
Ralph Flint, “Pissarro and Sisley at Durand-Ruel’s,” Art News, February 21, 1925, 2.
E. Koenig, Camille Pissarro (Paris: Le Triangle, 1927), pl. 5.
Paintings by Pissarro and Sisley, exh. cat. (New York: Durand-Ruel, 1928), no. 1.
“Two French Artists. Pissarro and Sisley,” New York Times, December 16, 1928, 14.
J. C. Holl, “Pissarro,” L’art et les artistes, no. 84 (1928): 158, (repro.).
Charles Kunstler, Camille Pissarro (Paris: G. Crès, 1930), pl. 16, (repro.).
XIXth Century French Painting, exh. cat. (St. Louis: City Art Museum, 1931), no. 23.
Annual Spring Exhibition: A Group of Paintings by Auguste Renoir and Other French Masters, exh. cat. (Chicago: Chester H. Johnson Galleries, 1931), no. 8.
Paintings by Camille Pissarro in Retrospect, exh. cat. (New York: Durand-Ruel, 1933), no. 16.
Paintings by the Master Impressionists, exh. cat. (New York: Durand-Ruel 1934), no. 17.
Ludovic-Rodo Pissarro and Lionello Venturi, Camille Pissarro: Son art, son oeuvre (Paris: Paul Rosenberg, 1939), 1: 62, 200, no. 855; 2: pl. 175, (repro.).
Three Centuries of French Paintings, exh. cat. (Wichita, KS: Wichita Art Museum, 1954), no. 15.
Communicating Art from Midwestern Collections: American and European Paintings and Sculpture, exh. cat. (Des Moines: Des Moines Art Center, 1955), no. 51.
Dorothy Adlow, “A Farm Creek Cadence,” Christian Science Monitor, July 12, 1958, C6, (repro.).
Philip Gurney, “Pissarro Cemented the Impressionist Movement,” Dundee and West Omaha Sun, November 24, 1960, 16, (repro.).
John Rewald, Pissarro (Paris: Braun, c. 1960), no. 47, (repro.).
French and American Impressionism, exh. cat. (Tulsa, OK: Philbrook Art Center, 1967), no. 13.
Mary Cassatt Among the Impressionists, exh. cat. (Omaha: Joslyn Art Museum, 1969), 21, (repro.).
John Rewald, C. Pissarro (Paris: Nouvelles Éditions françaises, 1974), 36, (repro.).
Richard Brettell and Christopher Lloyd, A Catalogue of the Drawings by Camille Pissarro in the Ashmolean Museum, Oxford (Oxford, England: Clarendon Press, 1980), 182–83.
Michael Milkovich, Homage to Camille Pissarro: The Last Years, 1890–1903, exh. cat. (Memphis, TN: Dixon Gallery and Gardens, 1980), 36, (repro.).
Janine Bailly-Herzberg, Correspondence de Camille Pissarro, vol. 3, 1891–1894 (Paris: Éditions du Valhermeil, 1980), 409, no. 971.
Christopher Lloyd, Camille Pissarro (Geneva: Skira; New York: Rizzoli, 1981), 116, (repro.).
Hollister Sturges, Jules Breton and the French Rural Tradition, exh. cat. (Omaha: Joslyn Art Museum, 1983), 194–97, (repro.).
Retrospective Camille Pissarro, exh. cat. (Tokyo: Art Life, 1984), no. 46.
Holliday T. Day and Hollister Sturges, eds., Joslyn Art Museum: Paintings & Sculpture from the European & American Collections (Omaha: Joslyn Art Museum, 1987), 110, 111, (repro.).
Janine Bailly-Herzberg, Correspondence de Camille Pissarro, vol. 4, 1895–1898 (Paris: Éditions du Valhermeil, 1989), 534, no. 1619.
Janine Bailly-Herzberg, Correspondence de Camille Pissarro, vol. 5, 1899–1903 (Paris: Éditions du Valhermeil, 1991), 421, no. 2078.
New World Art, vol. 22, Impressionism (Tokyo: Shogakukan, 1993), 136, 181, (repro.).
The Impressionists Handbook (Leicester, England: Abbeydale, 1999), 142–143.
Joachim Pissarro and Claire Durand-Ruel Snollaerts, Pissarro: Critical Catalogue of Paintings, vol. 3 (Milan: Skira; Paris: Wildenstein Institute, 2005), 650–51, no. 1005.
Richard R. Brettell, Pissarro’s People, exh. cat. (Williamstown, MA: Sterling and Francine Clark Art Institute; San Francisco: Fine Arts Museums of San Francisco, 2011), 265, 266, (repro.).
Richard Brettell and Joachim Pissarro, Pissarro à Éragny: La nature retrouvée, exh. cat. (Paris: Réunion des musées nationaux, 2017), 80–81, (repro.).
Taylor J. Acosta, European Paintings and Sculpture from Joslyn Art Museum (Omaha: Joslyn Art Museum, 2020), 22, 218–19, (repro.).
L’Art français, March 10, 1894, 2.
Camille Pissarro––Tableaux, aquarelles, pastels, gouaches, exh. cat. (Paris: Durand-Ruel, 1894), no. 18.
Paintings by Camille Pissarro and Alfred Sisley, exh. cat. (New York: Durand-Ruel, 1925), no. 1.
Ralph Flint, “Pissarro and Sisley at Durand-Ruel’s,” Art News, February 21, 1925, 2.
E. Koenig, Camille Pissarro (Paris: Le Triangle, 1927), pl. 5.
Paintings by Pissarro and Sisley, exh. cat. (New York: Durand-Ruel, 1928), no. 1.
“Two French Artists. Pissarro and Sisley,” New York Times, December 16, 1928, 14.
J. C. Holl, “Pissarro,” L’art et les artistes, no. 84 (1928): 158, (repro.).
Charles Kunstler, Camille Pissarro (Paris: G. Crès, 1930), pl. 16, (repro.).
XIXth Century French Painting, exh. cat. (St. Louis: City Art Museum, 1931), no. 23.
Annual Spring Exhibition: A Group of Paintings by Auguste Renoir and Other French Masters, exh. cat. (Chicago: Chester H. Johnson Galleries, 1931), no. 8.
Paintings by Camille Pissarro in Retrospect, exh. cat. (New York: Durand-Ruel, 1933), no. 16.
Paintings by the Master Impressionists, exh. cat. (New York: Durand-Ruel 1934), no. 17.
Ludovic-Rodo Pissarro and Lionello Venturi, Camille Pissarro: Son art, son oeuvre (Paris: Paul Rosenberg, 1939), 1: 62, 200, no. 855; 2: pl. 175, (repro.).
Three Centuries of French Paintings, exh. cat. (Wichita, KS: Wichita Art Museum, 1954), no. 15.
Communicating Art from Midwestern Collections: American and European Paintings and Sculpture, exh. cat. (Des Moines: Des Moines Art Center, 1955), no. 51.
Dorothy Adlow, “A Farm Creek Cadence,” Christian Science Monitor, July 12, 1958, C6, (repro.).
Philip Gurney, “Pissarro Cemented the Impressionist Movement,” Dundee and West Omaha Sun, November 24, 1960, 16, (repro.).
John Rewald, Pissarro (Paris: Braun, c. 1960), no. 47, (repro.).
French and American Impressionism, exh. cat. (Tulsa, OK: Philbrook Art Center, 1967), no. 13.
Mary Cassatt Among the Impressionists, exh. cat. (Omaha: Joslyn Art Museum, 1969), 21, (repro.).
John Rewald, C. Pissarro (Paris: Nouvelles Éditions françaises, 1974), 36, (repro.).
Richard Brettell and Christopher Lloyd, A Catalogue of the Drawings by Camille Pissarro in the Ashmolean Museum, Oxford (Oxford, England: Clarendon Press, 1980), 182–83.
Michael Milkovich, Homage to Camille Pissarro: The Last Years, 1890–1903, exh. cat. (Memphis, TN: Dixon Gallery and Gardens, 1980), 36, (repro.).
Janine Bailly-Herzberg, Correspondence de Camille Pissarro, vol. 3, 1891–1894 (Paris: Éditions du Valhermeil, 1980), 409, no. 971.
Christopher Lloyd, Camille Pissarro (Geneva: Skira; New York: Rizzoli, 1981), 116, (repro.).
Hollister Sturges, Jules Breton and the French Rural Tradition, exh. cat. (Omaha: Joslyn Art Museum, 1983), 194–97, (repro.).
Retrospective Camille Pissarro, exh. cat. (Tokyo: Art Life, 1984), no. 46.
Holliday T. Day and Hollister Sturges, eds., Joslyn Art Museum: Paintings & Sculpture from the European & American Collections (Omaha: Joslyn Art Museum, 1987), 110, 111, (repro.).
Janine Bailly-Herzberg, Correspondence de Camille Pissarro, vol. 4, 1895–1898 (Paris: Éditions du Valhermeil, 1989), 534, no. 1619.
Janine Bailly-Herzberg, Correspondence de Camille Pissarro, vol. 5, 1899–1903 (Paris: Éditions du Valhermeil, 1991), 421, no. 2078.
New World Art, vol. 22, Impressionism (Tokyo: Shogakukan, 1993), 136, 181, (repro.).
The Impressionists Handbook (Leicester, England: Abbeydale, 1999), 142–143.
Joachim Pissarro and Claire Durand-Ruel Snollaerts, Pissarro: Critical Catalogue of Paintings, vol. 3 (Milan: Skira; Paris: Wildenstein Institute, 2005), 650–51, no. 1005.
Richard R. Brettell, Pissarro’s People, exh. cat. (Williamstown, MA: Sterling and Francine Clark Art Institute; San Francisco: Fine Arts Museums of San Francisco, 2011), 265, 266, (repro.).
Richard Brettell and Joachim Pissarro, Pissarro à Éragny: La nature retrouvée, exh. cat. (Paris: Réunion des musées nationaux, 2017), 80–81, (repro.).
Taylor J. Acosta, European Paintings and Sculpture from Joslyn Art Museum (Omaha: Joslyn Art Museum, 2020), 22, 218–19, (repro.).